After years of pastel portraiture, it seemed a natural progression to move to realistic figurative sculpture.
From the first time I worked the clay, I felt I had come home.
Still, to this day, I feel it’s way too much fun to be called work.
Initially, I create the piece in clay in my studio. Once complete, it is usually cut into pieces and transported to the foundry where the mold is made and the lost wax process commences, ending with a bronze casting.
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“Annie's Outing”
An acquisition by Weyerhauser
This is a piece near and dear to me, as the models were family members.
Next time you're in Dupont, Washington, drop by this innovative community and give a wave. |
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 | “Balancing Act”
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|  |  | “Balancing Act”
Private commission
Installed at Lake Quivira, Kansas |
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 | “Helping Hand”
Percent for the Arts Commission installed in Redmond, Washington
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| |  | In the studio, in clay.
Also, can be seen in Whitecourt,
British Columbia, Canada.
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 | “Freedom Isn’t Free”
Afghan-Iraqi Freedom War Memorial Salem, Oregon
Shown here in Judy's studio is the Afghan-Iraqi Freedom War Memorial
in clay form.
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 | This was a commission to honor Dan Weaver, an Independence Oregon resident
who gave much to his community for many years. |
| |  | | Dan, taking no chances! |
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 | “The Long Walk Home”
26 1/2” H
$3600 |
| |  | “Overdue”
24” H
$3200 |
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